Being a first-timer watching a Malayalam film in the theatre, it was indeed a historical
moment for me. So, did Kali leave up to my expectation and made that historical
moment, a memorable one?
Story, Characters, Writer and Director
The film travels on a very simple plot that it might have
been a usual romantic film without much thrills and excitement if it had been
dealt with, carelessly. However, the film rides on moments that are filled with
action and terror, giving audience a completely new edge-of-the-seat experience.
Hats off to director sameer’s brilliance , writer rajesh’s magic, music
director gopi’s thundering background score and cinematographer gireesh’s
virtuosity!
Kali’, meaning ‘rage’, explores one of human’s most
dangerous emotions and its subsequent variants. The first half of the movie darns
together incidents that divulge the growth of Dulquer’s anger from his
childhood to the present times where he works as a bank employee. The movie
without wasting time for usual cheesy love sequences shifts swiftly into the
post marriage life of Dulquer and Sai Pallavi, providing some enthralling
insights into their co-existence amidst emotional outbursts.
Even if you are a calm person, there are certain issues
shown in the film that you can easily relate to in your day to day life. Always being on the mode called “Anger on the
tip of the nose”, I was able to associate with Dulquer’s character instantly whenever
he had to deal with both petty and pressing issues at workplace. Kudos to director to have highlighted
that in the film, which many face in their career.
Indian cinema usually has its own stereotypical way of depicting anger on celluloid. Anger is usually depicted on
the screen as a ‘nerve-wrecking’ shot. Literally. Graphics is used to show the travel of the nerves
from the wrist to the neck, like what happened to Naga Arjuna in Ratchagan.
Or anger is usually blood-shot eyes, tight-close ups of hero’s eyes. However,
in Kali, director chose not to have any of those dramatic and cinematic close-up
shots to portray anger. Providing ample opportunities for Dulquer to express hysterical
shades of anger, throughout the movie, the director has once again shown the
best of Dulquer’s acting.
Like many cliché movies, "Kali" doesn't show the
transformation of a violent person to a good saint, but the movie narrates how
a person's anger can result in many unwanted problems. Lurking dangers and the
helplessness brought on by wrath offer a gripping second half.
Cinematography
Dark, destructive and chaotic- 2nd half is
awaiting to bring you on the most unforgettable road journey of your life.
Sai Pallavi and Dulquer
The director has selected the perfect
cast for this film. He doesn’t even need to establish the couple’s characters
explicitly on the screen. When we see them, they give us the feel that we have
known this couple as friends for a very long time. And for sure, we know the
enchantingly oozing onscreen chemistry that the two share is nothing short of
electric. They push themselves to extremes in 'Kali', complimenting each other
all the time, and the impeccable results are there for all to see.
Sai Pallavi is a born- actress.
Brilliance is an understatement. In an interview, she mentioned that she has
rejected that many film offers before choosing this film because she was unable
to relate with the characters. Ah! Brilliance off-screen too!
Either be it a loving and forgiving
wife who calms her husband whenever he unleashes his fury at the slightest of
provocations or be it a timid, petite helpless lady who doesn’t know how to
handle the unruly behaviour of the villans, she scores in every scene!
Orbicularis oculi, the round muscle
around the eyes and Orbicularis oris, the round muscles around the mouth- move
according to what Dulquer says. That is how controlled, his acting is.
Venomous outburst, brewing anger, raging
sea of anger- this lad has flawlessly added flavor to his character.
Ironically, he himself provides a
hint of humor in the same situations he gets angry. Dulquer executes with
aplomb, both the emotions in tandem.
Music
Maniratnam has once said that a
song in a film should move the story from Point A to Point B. Seamlessly, the 2
songs in this film have done that, assisting the audience to move forward to
the next phase of the story.
What made me amazed, was the background
score of this movie. The chenda melam is one of the instruments used in this film. The sound of the chenda melam opens up furiously to give us an essence of
the Kali environment. Later, the percussion drum emanates an eerie flavor to
Dulquer’s brooding shots. The same menacing sound, played in the last scene, is
something to look out for!
So, did Kali leave up to my expectation and made that
historical moment, a memorable one?
A perfect way to end a weekend. A movie not to be missed. I loved the ending of the film!
Indeed a memorable one because for the price of one ticket,
I managed to watch one Dulquer on screen, and many other Dulquers watching the
screen.
*Giant winks*
*Giant winks*
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